Leftfield Bass is a relatively new genre for us, and oh boy what a fantastic experience it is. Here’s two slow monsters to embrace in all their ugly monsterness.
These basses are so organically mechanical that they become vocal. Take a listen! Continue reading Bass Monsters!
Another deep dive into the gorgeous world discovered at the outer brims of electronica.
And one of the most rewarding things for me personally when exploring these neck of woods, are when extraordinary sound design is unveiled. Here’s three exceptional examples of that kind. Continue reading The Electronica Outskirts #13
My latest passion when it comes to genres is Leftfield Bass. Dark, chunky blobs of bass that drowns itself in insane low frequency madness.
Here’s a couple of fresh releases taken from the “Leftfield Bass” crate. Continue reading The Bass Monsters #2
I’m expanding the scope of this blog again! This time to also embrace “leftfield bass”, a genre that is characterised by a very low tempo and – yes you guessed it – bass. Lots and lots of big, fat, swirling, wobbling, massive and slamming BASS. Continue reading The Bass Monsters
Of all the genres I cover on this blog, darkness seem to be a recurring component. I like it dark, futuristic, dystopian.
Here’s four of the more experimental kind that all falls under the above description. Continue reading The Electronica Outskirts #7
Under the “breaks” flag I’ll span quite wide – from a traditional breaks creation with clear retro-references, to a track that strictly speaking isn’t breakbeat at all, but share much of the same vibe. Continue reading To break or not – that’s the question!
A new double feature! This time two tracks that both categorise themselves as “Leftfield Bass”. They are quite different in mood – but equally brim full of creativity.
Continue reading Ancona, “Chamber” and LSMarley, “Self”: Fascinating moments of creativity
